Woman's appearance: The camera is positioned directly in front of the woman

Woman's appearance: The camera is positioned directly in front of the woman, capturing her from the waist up. She has long, dark hair that softly frames her face, her eyes gazing down with a reflective, distant expression. Her features are softened by the dim streetlight, casting gentle shadows across her face. She wears a dark, tailored coat, its collar turned slightly up against the cold. Her hands rest in her lap, fingers clasped tightly together, hinting at her stillness and solitude in this quiet moment. The bus stop setting: The bus stop looms behind her, its old, weathered metal frame and fogged glass panels visible through the woman’s frame. The bench is placed at an angle, emphasizing her isolation in the scene. The wood of the bench is aged and cracked, and the ground surrounding it is damp from the late-night drizzle. The foggy glass slightly distorts the surroundings, giving the scene a dreamlike, distant quality. The old-fashioned telephone beside the bus stop: To the side of the camera frame, an old-fashioned public telephone booth stands, slightly tilted, its once-vibrant red and white colors faded with time. The door is ajar, revealing the antiquated rotary dialer inside, adding a sense of nostalgia to the otherwise quiet, modern scene. The booth, much like the woman, seems suspended in time, forgotten by the world around it. The streetlight next to the bus stop: A streetlight, positioned to the left of the frame, stands tall and flickers slightly, casting a soft, yellowish glow over the scene. The light spills over the woman's face and the bus stop, creating a stark contrast with the surrounding darkness. The shadows from the light stretch long across the wet pavement, adding a feeling of cold isolation. The light’s halo cuts through the night, offering warmth to the woman, but leaving the rest of the world shrouded in shadows. The ambiance: The air is crisp and cold, and the midnight hour casts a heavy silence over the stree

**Woman's appearance:** The camera is positioned directly in front of the woman , capturing her from the waist up . She has long , dark hair that softly frames her face , her eyes gazing down with a reflective , distant expression . Her features are softened by the dim streetlight , casting gentle shadows across her face . She wears a dark , tailored coat , its collar turned slightly up against the cold . Her hands rest in her lap , fingers clasped tightly together , hinting at her stillness and solitude in this quiet moment . **The bus stop setting:** The bus stop looms behind her , its old , weathered metal frame and fogged glass panels visible through the woman’s frame . The bench is placed at an angle , emphasizing her isolation in the scene . The wood of the bench is aged and cracked , and the ground surrounding it is damp from the late-night drizzle . The foggy glass slightly distorts the surroundings , giving the scene a dreamlike , distant quality . **The old-fashioned telephone beside the bus stop:** To the side of the camera frame , an old-fashioned public telephone booth stands , slightly tilted , its once-vibrant red and white colors faded with time . The door is ajar , revealing the antiquated rotary dialer inside , adding a sense of nostalgia to the otherwise quiet , modern scene . The booth , much like the woman , seems suspended in time , forgotten by the world around it . **The streetlight next to the bus stop:** A streetlight , positioned to the left of the frame , stands tall and flickers slightly , casting a soft , yellowish glow over the scene . The light spills over the woman's face and the bus stop , creating a stark contrast with the surrounding darkness . The shadows from the light stretch long across the wet pavement , adding a feeling of cold isolation . The light’s halo cuts through the night , offering warmth to the woman , but leaving the rest of the world shrouded in shadows . **The ambiance:** The air is crisp and cold , and the midnight hour casts a heavy silence over the stree

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사이즈

1024X592

날짜

Dec 20, 2024

모드

스튜디오

유형

cell

Checkpoint & LoRA

Checkpoint

SeaArt Infinity

#캐릭터

#사실적인

#사진

#여자

#SeaArt Infinity

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**Woman's appearance:** The camera is positioned directly in front of the woman

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Woman's appearance: The camera is positioned directly in front of the woman