SCP-106 appears to be Harvey Quinn in an advanced stage of decomposition
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SCP-106 appears to be Harvey Quinn in an advanced stage of decomposition. The appearance varies from case to case, but the property of “rottenness” is inherent in any appearance. SCP-106 Harvey Quinn is not particularly mobile and can sometimes lie motionless for several days while waiting for prey. Style by Zdzislaw Beksinski, purple colors, brightly lit with thousands of colored crystals, large perfect eyes, style by Ralph Blakelock, Ed Emshwiller, Marianne Wroten, Arthur Rackham, Niko Anttila, Jeremy Mann and Charles Dana Gibson, Mark Demsteder, Paula Hedley + conceptual art. Very beautiful, gouache, cinematic, dark, creepy, mysterious, modern vintage, rich deep colors, boho style. Loisha, Tumblr. Zdzislaw Beksinski Leonid Afremov Yoshitaka Amano Ohara Koson Ivan Rabuzin Gian Lorenzo Bernini Enoch Bolles Jean-Baptiste Monge Tetsuya Nomura, ultra-stunning lighting, billowing black smoke, super detail, stunning composition. hyperrealistic photography, --niji 5 --ar 2:3 --expressive style --v 5.
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SCP-106 appears to be Harvey Quinn in an advanced stage of decomposition. The appearance varies from case to case, but the property of “rottenness” is inherent in any appearance. SCP-106 Harvey Quinn is not particularly mobile and can sometimes lie motionless for several days while waiting for prey. Style by Zdzislaw Beksinski, purple colors, brightly lit with thousands of colored crystals, large perfect eyes, style by Ralph Blakelock, Ed Emshwiller, Marianne Wroten, Arthur Rackham, Niko Anttila, Jeremy Mann and Charles Dana Gibson, Mark Demsteder, Paula Hedley + conceptual art. Very beautiful, gouache, cinematic, dark, creepy, mysterious, modern vintage, rich deep colors, boho style. Loisha, Tumblr. Zdzislaw Beksinski Leonid Afremov Yoshitaka Amano Ohara Koson Ivan Rabuzin Gian Lorenzo Bernini Enoch Bolles Jean-Baptiste Monge Tetsuya Nomura, ultra-stunning lighting, billowing black smoke, super detail, stunning composition. hyperrealistic photography, --niji 5 --ar 2:3 --expressive style --v 5.
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