Painting of a man and woman in formal clothing embracing in a doorway

Realism, She doesn't have any left, when he lifted her up and, removing the pillows, started laying. She felt his hands on her skin, calloused and warm, Jean-Baptiste Monge, anthropomorphic --ar 2:3 --testp -optimistic; Straight hair

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Realism, She doesn't have any left, when he lifted her up and, removing the pillows, started laying. She felt his hands on her skin, calloused and warm, Jean-Baptiste Monge, anthropomorphic --ar 2:3 --testp -optimistic; Straight hair

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Realism , She doesn&#39 ; t have any left , when he lifted her up and , removing the pillows , started laying . She felt his hands on her skin , calloused and warm , Jean-Baptiste Monge , anthropomorphic --ar 2:3 --testp -optimistic ; Straight hair

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Realism, She doesn't have any left, when he lifted her up and, removing the pillows, started laying. She felt his hands on her skin, calloused and warm, Jean-Baptiste Monge, anthropomorphic --ar 2:3 --testp -optimistic; Straight hair

Painting of a man and woman in formal clothing embracing in a doorway

Realism, She doesn&#39;t have any left, when he lifted her up and, removing the pillows, started laying. She felt his hands on her skin, calloused and warm, Jean-Baptiste Monge, anthropomorphic --ar 2:3 --testp -optimistic; Straight hair

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Realism, She doesn't have any left, when he lifted her up and, removing the pillows, started laying. She felt his hands on her skin, calloused and warm, Jean-Baptiste Monge, anthropomorphic --ar 2:3 --testp -optimistic; Straight hair