hyperrealisti. selfie shot. which employs the shallow depth of field technique
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hyperrealisti. selfie shot. which employs the shallow depth of field technique to highlight a Nordic girl in ((night in Paris)) context, (((under the moonlight))). Sylvia Saint's face, Tema de Game of Thrones , ((1 girl, standing alone, standing alone,)) ((portrait in front of a medieval castle)) . ((White hair)) , (((aged 50))), old woman, (((she had long silver hair, thick braids))) , pearls and rubies in the hair, purples eyes, pale and delicate skin, height and thinness. She wore silk dresses, (((wearing an elegant dark blue medieval dress, Velvet)), Velvet e brocado, in blue, green and silver, gold and silver jewelry with precious stones, a golden diadem with a three-headed dragon. The girl should be the focal point, with sharp clarity, while the background should be gently blurred to create a bokeh effect. must be visible, but blurred, adding depth to the composition.", adding depth to the composition. Sony Alfa A7R III, macro lens , f/5.6. ((cinematic lighting)) .
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hyperrealisti. selfie shot. which employs the shallow depth of field technique to highlight a Nordic girl in ((night in Paris)) context, (((under the moonlight))). Sylvia Saint's face, Tema de Game of Thrones , ((1 girl, standing alone, standing alone,)) ((portrait in front of a medieval castle)) . ((White hair)) , (((aged 50))), old woman, (((she had long silver hair, thick braids))) , pearls and rubies in the hair, purples eyes, pale and delicate skin, height and thinness. She wore silk dresses, (((wearing an elegant dark blue medieval dress, Velvet)), Velvet e brocado, in blue, green and silver, gold and silver jewelry with precious stones, a golden diadem with a three-headed dragon. The girl should be the focal point, with sharp clarity, while the background should be gently blurred to create a bokeh effect. must be visible, but blurred, adding depth to the composition.", adding depth to the composition. Sony Alfa A7R III, macro lens , f/5.6. ((cinematic lighting)) .
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