Araffe woman in a white dress and hat posing for a picture
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1woman LaGermania posing in identical clothes as Camille Monet in front of Woman with a Parasol. LaGermania stands in a bright, airy 19th-century French countryside painter’s atelier, with large, open windows that allow the warm, golden sunlight to pour in, casting a soft glow on the rustic wooden floors and whitewashed walls. She wears a delicate, white muslin dress with a high neckline, lace trim, and long sleeves, paired with a wide-brimmed straw hat adorned with fresh flowers. Her dress features intricate, hand-sewn embroidery and layers of fine, airy fabric that billow gently in the breeze. The background includes the Woman with a Parasol painting, framed in a simple, elegant wooden frame. The room is sparsely furnished with a wooden easel, a worktable covered with brushes, pigments, and sketches, and a few mismatched chairs. LaGermania’s pose is graceful and serene, her gaze directed towards the painter, embodying the lightness and charm of the Impressionist era.
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1woman LaGermania posing in identical clothes as Camille Monet in front of Woman with a Parasol. LaGermania stands in a bright, airy 19th-century French countryside painter’s atelier, with large, open windows that allow the warm, golden sunlight to pour in, casting a soft glow on the rustic wooden floors and whitewashed walls. She wears a delicate, white muslin dress with a high neckline, lace trim, and long sleeves, paired with a wide-brimmed straw hat adorned with fresh flowers. Her dress features intricate, hand-sewn embroidery and layers of fine, airy fabric that billow gently in the breeze. The background includes the Woman with a Parasol painting, framed in a simple, elegant wooden frame. The room is sparsely furnished with a wooden easel, a worktable covered with brushes, pigments, and sketches, and a few mismatched chairs. LaGermania’s pose is graceful and serene, her gaze directed towards the painter, embodying the lightness and charm of the Impressionist era.
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Checkpoint & LoRA
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