Generate a (hyperdetailed, realistic, Full Body), photo of (Nia
Тебе может быть интересно мое личное.
Generate a (hyperdetailed, realistic, Full Body), photo of (Nia, a serene smile), (((turquoise color eyes))), (((long, silky, straight, Ombre blend of shimmering silver and celestial blue hair))), (((Her long, silky hair is styled in a styled in a sleek updo, with wisps of hair framing her face for a soft and romantic look, and adorned with delicate floral accessories adding a touch of femininity, ))), (fair skin:1.4), (((Massive round natural breasts with deep cleavage))), (Massive round natural breasts:1.8), (Greek and Russian mix ethnicity), (hourglass figure, perfect body, NSFW, perfect anatomy, masterpiece, best quality, Fantasy setting). ((She is wearing a white color Javanese Kebaya, the soft fabric complementing her curves)). (((Full body))), Envision Nia dressed in the exquisite white color Javanese Kebaya, standing before a majestic ancient temple adorned with intricate carvings and towering spires. Stone walls of the temple bear the marks of centuries past, hinting at the rich history and cultural significance of the land. As the sun sets in the distance, casting a warm golden glow upon the scene, Nia's elegant figure is partially framed, allowing the viewer to appreciate her attire and posture. Industrial Light & Magic and wetafx vfx, adjust the exposure settings to brighten the image and bring out more detail, while increasing the contrast to add depth and clarity, (Fit, Athletic, Tall), (Massive round natural breasts), (Highly detailed facial and skin texture), (Best quality, ultra detailed, Golden ratio, Masterpiece:1.2), (Theatrical lighting:0.7, Perfect rare face), (Highly detailed skin), skin texture, Pale skin, shiny skin, (thin, large size:1.2), [:(Sharp focus on rare face, perfect eyes:1.2):0.2], hyperdetailed photography, UHD, realistic skin texture, shot with Canon EOS 5D Mark IV, highly detailed, sfumato and chiaroscuro photography by AGSI / Artificial Ghost in the Shell Intelligence, Roger Deakins Cinematography, directed by Ridley Scott.
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Generate a (hyperdetailed, realistic, Full Body), photo of (Nia, a serene smile), (((turquoise color eyes))), (((long, silky, straight, Ombre blend of shimmering silver and celestial blue hair))), (((Her long, silky hair is styled in a styled in a sleek updo, with wisps of hair framing her face for a soft and romantic look, and adorned with delicate floral accessories adding a touch of femininity, ))), (fair skin:1.4), (((Massive round natural breasts with deep cleavage))), (Massive round natural breasts:1.8), (Greek and Russian mix ethnicity), (hourglass figure, perfect body, NSFW, perfect anatomy, masterpiece, best quality, Fantasy setting). ((She is wearing a white color Javanese Kebaya, the soft fabric complementing her curves)). (((Full body))), Envision Nia dressed in the exquisite white color Javanese Kebaya, standing before a majestic ancient temple adorned with intricate carvings and towering spires. Stone walls of the temple bear the marks of centuries past, hinting at the rich history and cultural significance of the land. As the sun sets in the distance, casting a warm golden glow upon the scene, Nia's elegant figure is partially framed, allowing the viewer to appreciate her attire and posture. Industrial Light & Magic and wetafx vfx, adjust the exposure settings to brighten the image and bring out more detail, while increasing the contrast to add depth and clarity, (Fit, Athletic, Tall), (Massive round natural breasts), (Highly detailed facial and skin texture), (Best quality, ultra detailed, Golden ratio, Masterpiece:1.2), (Theatrical lighting:0.7, Perfect rare face), (Highly detailed skin), skin texture, Pale skin, shiny skin, (thin, large size:1.2), [:(Sharp focus on rare face, perfect eyes:1.2):0.2], hyperdetailed photography, UHD, realistic skin texture, shot with Canon EOS 5D Mark IV, highly detailed, sfumato and chiaroscuro photography by AGSI / Artificial Ghost in the Shell Intelligence, Roger Deakins Cinematography, directed by Ridley Scott.
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