Where the walls are adorned with mathematical formulas and graphs

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where the walls are adorned with mathematical formulas and graphs,a group of five men and women,dressed in elegant gowns reminiscent of counts and countesses from various historical periods,are deeply engrossed in a collaborative endeavor. Each countess represents a distinct era,from the Renaissance to the Victorian age,yet they are all united by their shared interest in graph optimization algorithms. They sit comfortably with laptops,tablets,and parchments sprawled out in front of them,surrounded by an array of steaming coffee cups and pastries. The modern technology contrasts with their traditional attire,creating a delightful anachronistic scene. The lady from the Renaissance is meticulously sketching a flowchart on a piece of parchment with an ink pen,while the Victorian countess types away furiously on a laptop. The countess with a crazy smile,clad in a 1920s flapper dress,points at a complex graph on a tablet screen,her excitement palpable. A Baroque countess,sipping from a porcelain teacup,nods thoughtfully,her gaze fixed on the same graph. The fifth,a minimalist modern countess,leans back in her chair,arms crossed,exuding a smug satisfaction as she observes their collective progress. Despite their different backgrounds,they are all equally engaged and invested in their intellectual pursuit. The warm lighting and cozy atmosphere of the coffee house blend seamlessly with the vibrant colors of their gowns,creating a whimsical yet realistic setting where time and disciplines converge.,

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where the walls are adorned with mathematical formulas and graphs,a group of five men and women,dressed in elegant gowns reminiscent of counts and countesses from various historical periods,are deeply engrossed in a collaborative endeavor. Each countess represents a distinct era,from the Renaissance to the Victorian age,yet they are all united by their shared interest in graph optimization algorithms. They sit comfortably with laptops,tablets,and parchments sprawled out in front of them,surrounded by an array of steaming coffee cups and pastries. The modern technology contrasts with their traditional attire,creating a delightful anachronistic scene. The lady from the Renaissance is meticulously sketching a flowchart on a piece of parchment with an ink pen,while the Victorian countess types away furiously on a laptop. The countess with a crazy smile,clad in a 1920s flapper dress,points at a complex graph on a tablet screen,her excitement palpable. A Baroque countess,sipping from a porcelain teacup,nods thoughtfully,her gaze fixed on the same graph. The fifth,a minimalist modern countess,leans back in her chair,arms crossed,exuding a smug satisfaction as she observes their collective progress. Despite their different backgrounds,they are all equally engaged and invested in their intellectual pursuit. The warm lighting and cozy atmosphere of the coffee house blend seamlessly with the vibrant colors of their gowns,creating a whimsical yet realistic setting where time and disciplines converge.,

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where the walls are adorned with mathematical formulas and graphs,a group of five men and women,dressed in elegant gowns reminiscent of counts and countesses from various historical periods,are deeply engrossed in a collaborative endeavor. Each countess represents a distinct era,from the Renaissance to the Victorian age,yet they are all united by their shared interest in graph optimization algorithms. They sit comfortably with laptops,tablets,and parchments sprawled out in front of them,surrounded by an array of steaming coffee cups and pastries. The modern technology contrasts with their traditional attire,creating a delightful anachronistic scene. The lady from the Renaissance is meticulously sketching a flowchart on a piece of parchment with an ink pen,while the Victorian countess types away furiously on a laptop. The countess with a crazy smile,clad in a 1920s flapper dress,points at a complex graph on a tablet screen,her excitement palpable. A Baroque countess,sipping from a porcelain teacup,nods thoughtfully,her gaze fixed on the same graph. The fifth,a minimalist modern countess,leans back in her chair,arms crossed,exuding a smug satisfaction as she observes their collective progress. Despite their different backgrounds,they are all equally engaged and invested in their intellectual pursuit. The warm lighting and cozy atmosphere of the coffee house blend seamlessly with the vibrant colors of their gowns,creating a whimsical yet realistic setting where time and disciplines converge.,

Etiqueta negativa

nsfw,nude,badhandv4,BadNegAnatomyV1-neg,EasyNegative,FastNegativeV2,BadDream,AS-YoungV2-neg,extra fingers,bad hands,Extra fingers, Bad hands, Bad anatomy, Missing limbs, Poorly drawn hands, Deformed, Mutated, Too many fingers, Extra limbs, Mutant, Body horror, The artwork avoids the pitfalls of bad art,such as ugly and deformed eyes and faces,poorly drawn,blurry,and disfigured bodies with extra limbs and close-ups that look weird. It also avoids other common issues such as watermarking,text errors,missing fingers or digits,cropping,poor quality,and JPEG artifacts. The artwork is free of signature or watermark and avoids framing issues. The hands are not deformed,the eyes are not disfigured,and there are no extra bodies or limbs. The artwork is not blurry,out of focus,or poorly drawn,and the proportions are not bad or deformed. There are no mutations,missing limbs,or floating or disconnected limbs. The hands and neck are not malformed,and there are no extra heads or out-of-frame elements. The artwork is not low-res or disgusting and is a well-drawn,highly detailed,and beautiful rendering.,

Escala CFG

7

Passos

40

Coletor

DPM++ 2M

Semente

2738574025

Clip Skip

Tamanho de Imagem

1024 X 1024

Intensidade para adição ou remoção de ruído

0.7

Modelo

NextPhoto

Criar

Tamanho

1024X1024

Data

Nov 1, 2024

Modo

Padrão

Tipo

upscale

Checkpoint & LoRA

Checkpoint

NextPhoto

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