The poster for the upcoming dc tv series
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16k, 8k, 4k, 4k UHD, ultra HDR, perfect quality, insane quality, extreme quality, intricate, ultra quality, super quality, perfect detail, very high detail, insanely detailed, extremely detailed, intricate detail, ultra detail, super detail, perfect resolution, very high resolution, insane resolution, absurdres, highres, (cinematic shot:1.6), depth of field, rule of thirds, trending on artsation, cgsociety, award winning realistic photo shoot art by Alan Davis and (John Singer Sargent:0.5) The Flashback Scene beautiful fantasy biopunk natural wiccan sweet woman is ballroom dancing with a well dressed handsome man with police man surrounded by lifesize marble chess pieces (face looking upset:1.2), southern gothic, Rendered in Octane, eldritch, twilight, action shot hero pose, Action, cinematic dramatic lighting, dark, high contrast, bokeh, HQ, 8K, HDR, hyper detailed, Worm's Eye View, photograph shot on Blackmagic Design Production Camera 4K, masterpiece hyper realism photo in the style of (Bayard Wu:0.5)
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16k, 8k, 4k, 4k UHD, ultra HDR, perfect quality, insane quality, extreme quality, intricate, ultra quality, super quality, perfect detail, very high detail, insanely detailed, extremely detailed, intricate detail, ultra detail, super detail, perfect resolution, very high resolution, insane resolution, absurdres, highres, (cinematic shot:1.6), depth of field, rule of thirds, trending on artsation, cgsociety, award winning realistic photo shoot art by Alan Davis and (John Singer Sargent:0.5) The Flashback Scene beautiful fantasy biopunk natural wiccan sweet woman is ballroom dancing with a well dressed handsome man with police man surrounded by lifesize marble chess pieces (face looking upset:1.2), southern gothic, Rendered in Octane, eldritch, twilight, action shot hero pose, Action, cinematic dramatic lighting, dark, high contrast, bokeh, HQ, 8K, HDR, hyper detailed, Worm's Eye View, photograph shot on Blackmagic Design Production Camera 4K, masterpiece hyper realism photo in the style of (Bayard Wu:0.5)
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