In the depths of a misty, rain-soaked forest, a lone, very thin nordic woman wit
Aujourd'hui, j'ai des idées spéciales, parfaites pour notre conversation.
In the depths of a misty, rain-soaked forest, a lone, very thin nordic woman with spikey blonde asymmetrical pixie-cut hair shaved on one side examines a small, discarded piece of metal, holding it up to the diffuse light filtering through the canopy above. She wears a torn and moth eaten primitive shawl around her shoulders, newspapers about her waist and her bare feet rapped in rags. Her exposed ears are natural and free from any earrings or jewelry. Cinematographer Hoyte van Hoytema’s moody, natural lighting adds a muted green and gray wash to the scene, creating a quiet sense of isolation. The camera captures her in a medium close-up, with shallow depth of field emphasizing her interaction with the tiny object. Her intense focus on the metal fragment is filled with subtle vulnerability, mirroring the damp, oppressive atmosphere of the forest around her. In the style of Cinematographer Hoyte van Hoytema.
Prompts
Copier les Paramètres
In the depths of a misty, rain-soaked forest, a lone, very thin nordic woman with spikey blonde asymmetrical pixie-cut hair shaved on one side examines a small, discarded piece of metal, holding it up to the diffuse light filtering through the canopy above. She wears a torn and moth eaten primitive shawl around her shoulders, newspapers about her waist and her bare feet rapped in rags. Her exposed ears are natural and free from any earrings or jewelry. Cinematographer Hoyte van Hoytema’s moody, natural lighting adds a muted green and gray wash to the scene, creating a quiet sense of isolation. The camera captures her in a medium close-up, with shallow depth of field emphasizing her interaction with the tiny object. Her intense focus on the metal fragment is filled with subtle vulnerability, mirroring the damp, oppressive atmosphere of the forest around her. In the style of Cinematographer Hoyte van Hoytema.
Info
Checkpoint & LoRA
0 commentaire(s)
0
0
0