In the year 2050, a young woman stands in a brightly lit supermarket

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In the year 2050, a young woman stands in a brightly lit supermarket, holding a strange and unusually large glowing fruit. The fruit is wrapped in a translucent film, and its glow illuminates the woman's face, casting an ethereal light on her pale, flawless skin. She has delicate, feminine features, and her long blonde hair falls in soft waves around her shoulders. She is dressed in a tight latex mini dress with lace details, and her glossy lipstick adds a pop of color to her otherwise muted palette. Her eyes are downcast, and her expressive face is tinged with sadness, as if she is embarrassed to be seen with the unusual fruit. The background of the scene is a typical supermarket, with bright fluorescent lights and rows of neatly stacked products. The woman's figure is the clear focus of the image, however, with the glowing fruit serving as a striking visual centerpiece. The overall effect is a blend of vintage and futuristic aesthetics, with a hint of surrealism thrown in for good measure. The image is highly detailed, with expert lighting and composition that suggests it was shot on a high-budget production. The use of a 120mm Hasselblad camera and Polaroid film adds to the vintage feel, while the influence of photographers like William Eggleston, Tim Walker, Ryan McGinley, Gregory Crewdson, and Terry Richardson can be seen in the use of color, lighting, and subject matter.

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In the year 2050, a young woman stands in a brightly lit supermarket, holding a strange and unusually large glowing fruit. The fruit is wrapped in a translucent film, and its glow illuminates the woman's face, casting an ethereal light on her pale, flawless skin. She has delicate, feminine features, and her long blonde hair falls in soft waves around her shoulders. She is dressed in a tight latex mini dress with lace details, and her glossy lipstick adds a pop of color to her otherwise muted palette. Her eyes are downcast, and her expressive face is tinged with sadness, as if she is embarrassed to be seen with the unusual fruit. The background of the scene is a typical supermarket, with bright fluorescent lights and rows of neatly stacked products. The woman's figure is the clear focus of the image, however, with the glowing fruit serving as a striking visual centerpiece. The overall effect is a blend of vintage and futuristic aesthetics, with a hint of surrealism thrown in for good measure. The image is highly detailed, with expert lighting and composition that suggests it was shot on a high-budget production. The use of a 120mm Hasselblad camera and Polaroid film adds to the vintage feel, while the influence of photographers like William Eggleston, Tim Walker, Ryan McGinley, Gregory Crewdson, and Terry Richardson can be seen in the use of color, lighting, and subject matter.

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Prompts

In the year 2050, a young woman stands in a brightly lit supermarket, holding a strange and unusually large glowing fruit. The fruit is wrapped in a translucent film, and its glow illuminates the woman's face, casting an ethereal light on her pale, flawless skin. She has delicate, feminine features, and her long blonde hair falls in soft waves around her shoulders. She is dressed in a tight latex mini dress with lace details, and her glossy lipstick adds a pop of color to her otherwise muted palette. Her eyes are downcast, and her expressive face is tinged with sadness, as if she is embarrassed to be seen with the unusual fruit. The background of the scene is a typical supermarket, with bright fluorescent lights and rows of neatly stacked products. The woman's figure is the clear focus of the image, however, with the glowing fruit serving as a striking visual centerpiece. The overall effect is a blend of vintage and futuristic aesthetics, with a hint of surrealism thrown in for good measure. The image is highly detailed, with expert lighting and composition that suggests it was shot on a high-budget production. The use of a 120mm Hasselblad camera and Polaroid film adds to the vintage feel, while the influence of photographers like William Eggleston, Tim Walker, Ryan McGinley, Gregory Crewdson, and Terry Richardson can be seen in the use of color, lighting, and subject matter.

Prompts Négatives

abnormal, abstract, anime, artifacts, atrocity, bad composition, blurry, boring, comic, crayon, deformed, disfigured, distorted, drawing, flat color, grayscale, low quality, low resolution, mutation, noisy, overexposed, signature, sketch, terrible, ugly, unrealistic, watermark, (fat:6.9)

Échelle CFG

4

Étapes

50

Échantillonneur

DPM++ 2M

Graine Aléatoire

266202086

Clip Skip

2

Dimension de l'Image

832 X 1216

Modèle

TruckMaker

Créer

Taille

832X1216

Date

Jul 25, 2024

Mode

SDXL

Type

upscale

Checkpoint & LoRA

LoCon

TruckMaker

LORA

Detail Tweaker XL

LORA

Fashion Photography SDXL and SD1.5

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