A powerful businesswoman stands confidently in a O'Brien's quarters from Georg

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A powerful businesswoman stands confidently in a O'Brien's quarters from George Orwell's 1984 office, donning black Louboutin stiletto boots that adorn her feet. Her long, golden long blonde hair cascades down her back, complementing her tailored black suit, black shirt and pants, reminiscent of 90's power dressing, female O'Brien's outfit from George Orwell's 1984, the office background is a precise replica of O'Brien's quarters from George Orwell's 1984, complete with a one big telescreen reminiscent of the novel. The atmosphere is one of foreboding and surveillance, with the dark, muted tones of the office evoking a sense of oppression. The overall feel is one of majestic realism,CGI NOIR aesthetics. Luv from Blade Runner dressing code and makeups. Her facial expression exudes a sense of authority and intensity, with a lot of sadistic charm. The full-body portrait is rendered in a Renaissance era style, with realistic hyper-detail and a figurative painting aesthetic, similar to Greg Rutkowski's work, captured in stunning 4K detail.

Hugo Franco

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A powerful businesswoman stands confidently in a O'Brien's quarters from George Orwell's 1984 office, donning black Louboutin stiletto boots that adorn her feet. Her long, golden long blonde hair cascades down her back, complementing her tailored black suit, black shirt and pants, reminiscent of 90's power dressing, female O'Brien's outfit from George Orwell's 1984, the office background is a precise replica of O'Brien's quarters from George Orwell's 1984, complete with a one big telescreen reminiscent of the novel. The atmosphere is one of foreboding and surveillance, with the dark, muted tones of the office evoking a sense of oppression. The overall feel is one of majestic realism,CGI NOIR aesthetics. Luv from Blade Runner dressing code and makeups. Her facial expression exudes a sense of authority and intensity, with a lot of sadistic charm. The full-body portrait is rendered in a Renaissance era style, with realistic hyper-detail and a figurative painting aesthetic, similar to Greg Rutkowski's work, captured in stunning 4K detail.

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Prompts

A powerful businesswoman stands confidently in a O'Brien's quarters from George Orwell's 1984 office, donning black Louboutin stiletto boots that adorn her feet. Her long, golden long blonde hair cascades down her back, complementing her tailored black suit, black shirt and pants, reminiscent of 90's power dressing, female O'Brien's outfit from George Orwell's 1984, the office background is a precise replica of O'Brien's quarters from George Orwell's 1984, complete with a one big telescreen reminiscent of the novel. The atmosphere is one of foreboding and surveillance, with the dark, muted tones of the office evoking a sense of oppression. The overall feel is one of majestic realism,CGI NOIR aesthetics. Luv from Blade Runner dressing code and makeups. Her facial expression exudes a sense of authority and intensity, with a lot of sadistic charm. The full-body portrait is rendered in a Renaissance era style, with realistic hyper-detail and a figurative painting aesthetic, similar to Greg Rutkowski's work, captured in stunning 4K detail.

Negative Prompts

worst quality, low quality, bad anatomy, bad hands, bad body, missing fingers, extra digit, fewer digits

CFG Scale

7

Steps

30

Sampler

DPM++ 2M Karras

Seed

243367551

Clip Skip

2

Image Size

810 X 1440

Model

Juggernaut XL

Generate

Size

808X1440

Date

Dec 15, 2024

Mode

SDXL

Type

cell

Checkpoint & LoRA

Checkpoint

Juggernaut XL

LORA

Blade Runner 1982 (Cityscapes) Movie Style

LORA

Dystopian Future (Architecture) (Pony) (AD)

LORA

Blade Runner XL

#Character

#Realistic

#Photography

#Uniform

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