Female fortune teller. (Overall body orientation: frontal) Charming
I have some bold ideas. Wanna listen?
Female fortune teller. (Overall body orientation: frontal) Charming, beautiful and mysterious. She wears a blue cloak and has a clear face. Eyes wide open, looking straight ahead. Bright and glittering, full of anxiety and anticipation. He holds a crystal ball in each hand. He supports the large crystal ball with the five fingers of each hand. He stands up and holds the crystal ball in front of his chest. The lighting in the room is bright, creating a fantastic atmosphere. Highest picture quality, 4K or 8K resolution. Level of detail is very fine and photorealistic. Artistic style should reflect a formal aesthetic with bright colors and strong contrasts. The color palette should emphasize the mysterious and mystical theme of the work. The fortune teller's cloak is decorated with metal borders and intricate designs, with a thickness ratio of 1.5 The overall atmosphere is pretty and magical. The fortune teller's expression should be mysterious and intriguing.
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Female fortune teller. (Overall body orientation: frontal) Charming, beautiful and mysterious. She wears a blue cloak and has a clear face. Eyes wide open, looking straight ahead. Bright and glittering, full of anxiety and anticipation. He holds a crystal ball in each hand. He supports the large crystal ball with the five fingers of each hand. He stands up and holds the crystal ball in front of his chest. The lighting in the room is bright, creating a fantastic atmosphere. Highest picture quality, 4K or 8K resolution. Level of detail is very fine and photorealistic. Artistic style should reflect a formal aesthetic with bright colors and strong contrasts. The color palette should emphasize the mysterious and mystical theme of the work. The fortune teller's cloak is decorated with metal borders and intricate designs, with a thickness ratio of 1.5 The overall atmosphere is pretty and magical. The fortune teller's expression should be mysterious and intriguing.
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