Hyper photo realistic. Higheast quality. Masterpiece. A woman
Tengo algunos secretos inconfesables, ¿quieres escuchar?
Hyper photo realistic. Higheast quality. Masterpiece. A woman. Hyper realistic human features. Perfect facial features. topless, The woman has biomorphic, futuristic armor, hair composed of interlaced, net like, shapes and forms. (Sharp focused background city of biomorhic orbs.). Include the colors white, turquoise, orange and copper. Vanilla sky. Art by Todd Lockwood, Otto Pilny, Otto Rapp, and Peter Gric. Cgsociety, gothic art, fractalism, fantasy, dystopian art, neo-figurative, vray tracing Trending on zbrush central, fantasy art, zbrush, biomorphic, fractalism. Smooth, sharp focus. A photo realistic, surreal, image of a female that transcends the boundaries of reality and imagination.The image should evoke a sense of wonder and mystery. Porcelain. POV, by lee jeffries, nikon d850, film stock photograph ,4 kodak portra 400 ,camera f1.6 lens ,rich colors ,hyper realistic ,lifelike texture, dramatic lighting , cinestill 800,
Prompts
Copiar prompts
Hyper photo realistic. Higheast quality. Masterpiece. A woman. Hyper realistic human features. Perfect facial features. topless, The woman has biomorphic, futuristic armor, hair composed of interlaced, net like, shapes and forms. (Sharp focused background city of biomorhic orbs.). Include the colors white, turquoise, orange and copper. Vanilla sky. Art by Todd Lockwood, Otto Pilny, Otto Rapp, and Peter Gric. Cgsociety, gothic art, fractalism, fantasy, dystopian art, neo-figurative, vray tracing Trending on zbrush central, fantasy art, zbrush, biomorphic, fractalism. Smooth, sharp focus. A photo realistic, surreal, image of a female that transcends the boundaries of reality and imagination.The image should evoke a sense of wonder and mystery. Porcelain. POV, by lee jeffries, nikon d850, film stock photograph ,4 kodak portra 400 ,camera f1.6 lens ,rich colors ,hyper realistic ,lifelike texture, dramatic lighting , cinestill 800,
INFO
Checkpoint & LoRA
0 comentario(s)
0
1
0