Alien man with a huge head and a huge body of bones
Ich habe einige unaussprechliche Geheimnisse, möchtest du sie hören?
H. R. Giger's g1g3r, , Giger_style, create biomechanical landscape by Hans Rudie Giger composed of fossilized and mummified alien life forms. Image depicts a strange and dreamlike, combines biological and mechanical ,managed to dreamlike quality. That achieved through brushwork or airbrushing techniques that create smooth, curving forms alongside sharp edges and straight lines. Centralized recognizable shapes of skulls, rib cages, and spines, all intertwined with tubes and cables. These shapes suggest fossilized mummified alien life forms. Central skeletal structures and what appears to be a ribcags made of (ivory with clear signs of charring and weathering) in the foreground are the most identifiable organic elements. The mechanical elements are evident in the wires and tubes emanating from the skeletals, as well as the silfoned plastic tubes. In the background shapes are visible that could be interpreted as other fossilized or mummified alien life. Light source from the top highlights skeletals, upper part of foreground, lower part of image is in shadow. Use of light and shadow creates a sense of depth and dimension. Artist might bathe composition in an unnatural, otherworldly light, highlighting the stark contrast between the human and mechanical elements. Shadows would writhe and twist, adding to the overall sense of disorientation and dread. Giger's meticulous attention to detail would come into play here, as he adorns forms with intricate biomechanical implants and enhancements. These elements would be both beautiful and grotesque, blurring the line between lifeform and machine Central labyrinthine yet constructively and solid organized abomination is focal point ,uplight illuminates it, draws viewer's eye to it. Work is sxually suggestive, in the way that it depicts the human form, as well as in the use of bio-organic forms that resemble sxual organs. Surfaces are heavily covered with tin dots of dark paint (best quality:1.4), H.R. GIGER, BY GIGER
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H. R. Giger's g1g3r, , Giger_style, create biomechanical landscape by Hans Rudie Giger composed of fossilized and mummified alien life forms. Image depicts a strange and dreamlike, combines biological and mechanical ,managed to dreamlike quality.
That achieved through brushwork or airbrushing techniques that create smooth, curving forms alongside sharp edges and straight lines.
Centralized recognizable shapes of skulls, rib cages, and spines, all intertwined with tubes and cables. These shapes suggest fossilized mummified alien life forms. Central skeletal structures and what appears to be a ribcags made of (ivory with clear signs of charring and weathering) in the foreground are the most identifiable organic elements. The mechanical elements are evident in the wires and tubes emanating from the skeletals, as well as the silfoned plastic tubes. In the background shapes are visible that could be interpreted as other fossilized or mummified alien life.
Light source from the top highlights skeletals, upper part of foreground, lower part of image is in shadow. Use of light and shadow creates a sense of depth and dimension.
Artist might bathe composition in an unnatural, otherworldly light, highlighting the stark contrast between the human and mechanical elements. Shadows would writhe and twist, adding to the overall sense of disorientation and dread.
Giger's meticulous attention to detail would come into play here, as he adorns forms with intricate biomechanical implants and enhancements. These elements would be both beautiful and grotesque, blurring the line between lifeform and machine
Central labyrinthine yet constructively and solid organized abomination is focal point ,uplight illuminates it, draws viewer's eye to it.
Work is sxually suggestive, in the way that it depicts the human form, as well as in the use of bio-organic forms that resemble sxual organs.
Surfaces are heavily covered with tin dots of dark paint (best quality:1.4), H.R. GIGER, BY GIGER
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