A stunning woman with a pronounced hourglass figure, standing confidently in an
Manche interessante Dinge darfst nur du wissen.
A stunning woman with a pronounced hourglass figure, standing confidently in an ornate Renaissance workshop. She wears a luxurious burgundy velvet gown with an elegant yet daringly deep neckline that emphasizes her full chest and tightly cinched waist, highlighting her dramatic curves. The gown’s bodice is embroidered with gold thread and decorated with gemstones that catch the warm candlelight, accentuating her feminine form. Her long, chestnut hair is styled loosely, with a few tendrils framing her face, enhancing her deep blue eyes and full lips. She gazes directly at the camera with a slight, mysterious smile. Behind her, an older man (Leonardo) sits at a cluttered wooden desk filled with parchment scrolls, sketches, and models, immersed in his work. The light casts a soft, warm glow, adding depth to her figure and illuminating the refined textures of her dress, creating a captivating, semi-sensual Renaissance scene.
Prompts
Prompts kopieren
A stunning woman with a pronounced hourglass figure, standing confidently in an ornate Renaissance workshop. She wears a luxurious burgundy velvet gown with an elegant yet daringly deep neckline that emphasizes her full chest and tightly cinched waist, highlighting her dramatic curves. The gown’s bodice is embroidered with gold thread and decorated with gemstones that catch the warm candlelight, accentuating her feminine form. Her long, chestnut hair is styled loosely, with a few tendrils framing her face, enhancing her deep blue eyes and full lips. She gazes directly at the camera with a slight, mysterious smile. Behind her, an older man (Leonardo) sits at a cluttered wooden desk filled with parchment scrolls, sketches, and models, immersed in his work. The light casts a soft, warm glow, adding depth to her figure and illuminating the refined textures of her dress, creating a captivating, semi-sensual Renaissance scene.
Info
Checkpoint & LoRA
0 Kommentar(e)
0
1
0