Arafed woman in a white dress standing in front of a painting
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1woman LaGermania posing as the woman in the painting Madame X with the same dress/clothes/design in an atelier of the painter John Singer Sargent in 19th-century Paris. LaGermania stands in a simple 19th-century French painter’s atelier, with wooden floors and tall, arched windows that allow natural light to flood the room. She wears a sleek, black satin gown with a daring neckline and delicate, shimmering straps, made from the finest silk. Her hair is styled in an elegant updo, adorned with a simple, jeweled hairpin. The background features the painting Madame X, showing a woman standing gracefully with her head turned to the side. The room is sparsely furnished with a wooden easel, a worktable cluttered with brushes, pigments, and sketches, and a few stools. LaGermania’s pose is poised and confident, her gaze directed towards the painter, capturing the striking elegance and commanding presence of the original portrait.
كلمة التلميح
نسخ
1woman LaGermania posing as the woman in the painting Madame X with the same dress/clothes/design in an atelier of the painter John Singer Sargent in 19th-century Paris. LaGermania stands in a simple 19th-century French painter’s atelier, with wooden floors and tall, arched windows that allow natural light to flood the room. She wears a sleek, black satin gown with a daring neckline and delicate, shimmering straps, made from the finest silk. Her hair is styled in an elegant updo, adorned with a simple, jeweled hairpin. The background features the painting Madame X, showing a woman standing gracefully with her head turned to the side. The room is sparsely furnished with a wooden easel, a worktable cluttered with brushes, pigments, and sketches, and a few stools. LaGermania’s pose is poised and confident, her gaze directed towards the painter, capturing the striking elegance and commanding presence of the original portrait.
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Checkpoint & LoRA
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