HRGigerArhP style, biomechanoid style, nsfw, Giger_style, The image is a detaile
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HRGigerArhP style, biomechanoid style, nsfw, Giger_style, The image is a detailed view of H.R. Giger's \" Li II \" plate, featuring a complex network of bones and organs in a purple-brown hue ,swirling gray and brown colorsgroup of three alien figures positioned in the foreground. Emaciated and skeletal, with hollow eyes, they appear to be constructed from bone and metallic elements, a characteristic fusion of organic and mechanical forms found in Giger's biomechanical art. The image features a surrealistic painting featuring a woman with a skull for a head, surrounded by monstrous, tentacled beings., standing in a room with a glowing screen displaying the word \"EVE\" and a hand reaching out to touch its face. The background is a dark and limited space painted in a uniform blue-green color. This lack of detail keeps the focus on the figures and creates a sense of mystery about their environment. Receding into the distance are a series of arches and tunnels that hint at a larger biomechanical landscape, possibly the work of the creatures themselves The artwork is silver and purplish brown, with an ivory bones prominently displayed. This piece is likely created using pen and ink wash. The fine lines used to outline the foreground figure and the textures on the floor are consistent with pen and ink work. The background shows areas of flat tone and shading, which could have been achieved using a wash of ink or watercolor. The artwork leans heavily on dark surrealism. The central figure is humanoid but distorted, with an elongated head and insect-like protrusion on its back. The scale of the figure in relation to its surroundings is unnatural, further contributing to the surreal atmosphere. There are subtle influences of biomechanical art present. The organic form of the humanoid figure is integrated with technological element
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نسخ
HRGigerArhP style, biomechanoid style, nsfw, Giger_style, The image is a detailed view of H.R. Giger's \" Li II \" plate, featuring a complex network of bones and organs in a purple-brown hue ,swirling gray and brown colorsgroup of three alien figures positioned in the foreground. Emaciated and skeletal, with hollow eyes, they appear to be constructed from bone and metallic elements, a characteristic fusion of organic and mechanical forms found in Giger's biomechanical art.
The image features a surrealistic painting featuring a woman with a skull for a head, surrounded by monstrous, tentacled beings., standing in a room with a glowing screen displaying the word \"EVE\" and a hand reaching out to touch its face. The background is a dark and limited space painted in a uniform blue-green color. This lack of detail keeps the focus on the figures and creates a sense of mystery about their environment. Receding into the distance are a series of arches and tunnels that hint at a larger biomechanical landscape, possibly the work of the creatures themselves The artwork is silver and purplish brown, with an ivory bones prominently displayed.
This piece is likely created using pen and ink wash. The fine lines used to outline the foreground figure and the textures on the floor are consistent with pen and ink work. The background shows areas of flat tone and shading, which could have been achieved using a wash of ink or watercolor. The artwork leans heavily on dark surrealism. The central figure is humanoid but distorted, with an elongated head and insect-like protrusion on its back. The scale of the figure in relation to its surroundings is unnatural, further contributing to the surreal atmosphere. There are subtle influences of biomechanical art present. The organic form of the humanoid figure is integrated with technological element
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Checkpoint & LoRA
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